{"id":79332,"date":"2026-03-07T21:43:53","date_gmt":"2026-03-07T11:13:53","guid":{"rendered":"https:\/\/www.fernbyfilms.com\/?p=79332"},"modified":"2026-03-08T10:50:35","modified_gmt":"2026-03-08T00:20:35","slug":"movie-review-war-machine-2026","status":"publish","type":"post","link":"https:\/\/www.fernbyfilms.com\/2026\/03\/07\/movie-review-war-machine-2026\/","title":{"rendered":"Movie Review – War Machine (2026)"},"content":{"rendered":"

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Principal Cast : <\/strong>Alan Ritchson, Dennis Quaid, Stephan James, Jai Courtney, Esai Morales, Keiynan Lonsdale, Daniel Webber, Blake Richardson, Jack Patten, Jacob Hohua, Alex King, Joshua Diaz, James Beaufort, Justin Wang, Mat Testro, Heather Burridge, Victory Ndukwe, Jake Ryan.
\nSynopsis:<\/strong> Recruits at a special ops boot camp are forced to fend for their lives against a deadly force from beyond our world.<\/h3>\n

********<\/p>\n

At the time of watching War Machine<\/em>, and writing this review, the United States and Israel had bombed Iran, escalating conflict in the Middle East. Much of the world was aghast at these actions, given Iran posed no imminent threat, and a rising tide of anti-American sentiment left a very sour taste. Into this fraught climate comes War Machine<\/em>, a hyper-US-ian military spectacle, led by the ever-reliable Alan Ritchson (Reacher<\/em>) as an unnamed combat veteran seeking atonement for the death of his brother, briefly portrayed by a serviceable Jai Courtney. The film brims with militaristic tropes, testosterone-fuelled camaraderie, and boys-own ruggedness; real-world geopolitics make it almost impossible for this popcorn fare to overcome its own jingoistic excesses. Its machismo is sullen, bloated, and cornball, lacking emotional heft, but it delivers a near-perfect sense of American exceptionalism\u2014if you can stomach that, it is unashamedly entertaining.<\/p>\n

<\/p>\n

\"\"<\/p>\n

The story follows Ritchson\u2019s traumatised Army Staff Sergeant, designated candidate 81, who survives a deadly ambush in Afghanistan and later enters RASP training for the 75th Ranger Regiment. Struggling with leadership, grief, and unresolved trauma, he leads his fellow recruits into a field exercise that erupts into a real fight for survival when an alien machine attacks. Alone, under-armed, and isolated in the Colorado wilderness, 81 and his team must uncover the machine\u2019s vulnerability and destroy it before reporting the threat to command, revealing a broader extraterrestrial invasion.<\/p>\n

\"\"<\/p>\n

Director Patrick Hughes, now reliably B-movie centric with pastiche-laden works such as Expendables 3<\/em><\/a> and the banal-but-fun Hitman\u2019s Bodyguard<\/em><\/a> franchise, borrows heavily from Peter Berg\u2019s Battleship<\/em><\/a>. Hughes fuses chest-thumping nationalistic spectacle with alien-invasion hokum, making War Machine<\/em> feel like a spiritual sequel to Berg\u2019s 2012 effort. Whereas Battleship<\/em> could occasionally transcend its script flaws with frenetic absurdity, Hughes and co-writer James Beaufort here lack the emotive scope or charisma to elevate their material. The film is violent, orgiastic in its adoration of the US military, and asks viewers to suspend disbelief to near-lethal levels, but delivers pure escapist enjoyment for those who embrace the brotherhood of military life.<\/p>\n

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Indeed, War Machine<\/em> functions almost as a recruiting video disguised as a sci-fi actioner, its appeal likely to be highest in the US Southern States, where military enlistment is culturally valorised. Dennis Quaid and Elai Morales play the stoic, hard-jawed instructors who push recruits to their limits, though even Quaid seems minimally engaged. The first third of the film tracks the recruits\u2019 boot camp trials, with sweaty endurance tests and grimacing faces forming the bulk of the emotional arc. Ritchson\u2019s 81 carries an Eastwoodian stoicism, overcoming near-impossible challenges and ultimately leading his team through the sci-fi fire of a rampaging, RoboTech<\/em>-esque alien killing machine.<\/p>\n

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Action sequences are plentiful and raucous, though physics often take a back seat. Hughes\u2019 energetic direction, Andy Canny\u2019s fast-paced editing, and Aaron Morton\u2019s crisp cinematography inject enough enthusiasm to make the absurd material watchable, even as one marvels at \u201chow the fuck did that get past the script rewrites?\u201d moments. Most of the cast are expendable to the machine\u2019s brutal efficiency, with Stephen James standing out slightly alongside Ritchson. The violence is extreme, with gore splattered liberally, and the alien\u2019s motives remain mysterious, hinting at a larger invasion and potential sequel. The visual effect of the machine itself, a thundering mechanical annihilator mix approaching a steampunk and LSD fever-dream, is quite cool despite some wonky moments early on. The design is brutalist and the effect is one of unstoppable, overpowering force – a perfect “war machine”, if you will.<\/p>\n

\"\"<\/p>\n

War Machine<\/em> is a dour, militaristic affair that may grate outside the US, particularly in the current geopolitical climate. Its timing is unfortunate, but divorced from real-world politics it is a battle-hardened piece of subgenre entertainment that demands little beyond enduring its ridiculous plot. Ritchson is monosyllabic, indifferent to narrative practicality, but Hughes\u2019 hyperactive, bombastic direction offers some reward. Forgettable nonsense, yes, but for fans of Battleship<\/em>, it\u2019s a guilty pleasure worth enduring.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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